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David Cronenberg Claims 'Brutalist' AI Controversy Was a Rival Campaign

The Guardian

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Date Published
23 Mar 2025
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1
Australian
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Created
24 Mar 2025, 11:29 am

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The director was discussing the row over Adrien Brody’s AI-enhanced Hungarian accent, saying ‘we mess with actors’ voices all the time’

Summary

David Cronenberg defended the use of AI in 'The Brutalist' for enhancing actor Adrien Brody's Hungarian accent, suggesting the resultant controversy was manufactured by rival Oscar nominees. The director argues that altering actors' voices is a common movie-making technique, not a unique ethical issue. While the article focuses on the artistic aspect of AI use in filmmaking, it highlights the inevitable intersection between AI technology and traditional filmmaking practices. This raises broader questions about authenticity and the evolving role of AI in creative fields, potentially adding complexity to global AI policy discussions concerning intellectual and artistic integrity.

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‘This is just a part of moviemaking’ … David Cronenberg.Photograph: Julien de Rosa/AFP/Getty ImagesView image in fullscreen‘This is just a part of moviemaking’ … David Cronenberg.Photograph: Julien de Rosa/AFP/Getty ImagesDavid Cronenberg says Brutalist AI controversy was a ‘campaign against’ the film by rival Oscar nomineesThe director was discussing the row over Adrien Brody’s AI-enhanced Hungarian accent, saying ‘we mess with actors’ voices all the time’David Cronenberg has suggested the AI controversy over Adrien Brody’s Hungarian accent in The Brutalist was an issue manufactured by the campaign of a rival Oscar film.Cronenberg was speaking at the London Soundtrack festival alongside composer Howard Shore, and in remarks reported by the Hollywood Reporter, said that film-makers “mess with actors’ voices all the time”. Cronenberg said: “There was a discussion aboutAdrien Brody… [and] apparently they used artificial intelligence to improve his accent. I think it was a campaign against The Brutalist by some other Oscar nominees. It’s very much a Harvey Weinstein kind of thing, though he wasn’t around.”‘Something must have gone wrong with us’: David Cronenberg and Howard Shore on four decades of body horrorRead moreCronenberg referred to his 1993 film M Butterfly, in which John Lone plays Beijing opera performer Song Liling. “We mess with actors’ voices all the time. In the case of John [Lone], when he was being this character, this singer, I raised the pitch of his voice [to sound more female] and when he’s revealed as a man, I lowered to his natural voice. This is just a part of moviemaking.”The row originally erupted in Januarywhen The Brutalist’s editor Dávid Jancsó said in an interview with Red Shark that his voice was combined with the film’s lead actors Brody and Felicity Jones, using an AI tool to create a more convincing Hungarian accent. The film’s director Brady Corbet defended the practice in a statement, saying: “Adrien and Felicity’s performances are completely their own … The aim was to preserve the authenticity of Adrien and Felicity’s performances in another language, not to replace or alter them.”It emerged around the same time that a similar AI-created hybrid was used to enhance Emilia Pérez’s Karla Sofía Gascón’s singing voice; it was blended with vocals by Camille, the French pop star who co-wrote the film’s score.The issue did not appear to hurt Brody, who won the best actor Oscar for The Brutalist; however Jones, Gascón and Corbet failed to win.Explore more on these topicsFilmThe BrutalistDavid CronenbergArtificial intelligence (AI)ComputingnewsShareReuse this content